‘Prey’ Is a Cinematic Rite of Passage Like No Other
August 31st, 2022 • Molly Henery
In the latest edition of her Uterus Horror column, Molly Henery celebrates Amber Midthunder’s Naru and all things ‘Prey.’
How ‘The Eyes of My Mother’ Upends Trauma Horror
August 30th, 2022 • Marc Paterson
Marc Paterson explores how Nicholas Pesce’s ‘The Eyes of My Mother’ subverts the trend of trauma-informed horror movies.
Wes Craven’s ‘Cursed’ Deserves Better
August 26th, 2022 • Matt Konopka
Matt Konopka defends Wes Craven’s ‘Cursed’ as a werewolf movie with a timeless message of insecurity and self-doubt.
‘Tombs of the Blind Dead’ Bests the Modern Zombie Movie
August 18th, 2022 • Bryant James Stark
Bryant James Stark celebrates Amando de Ossorio’s ‘Tombs of the Blind Dead,’ a zombie movie from before the tropes took over.
‘Wolf Creek 2’ is a Meta Ozploitation Classic
August 15th, 2022 • Joanna Psaros
Joanna Psaros explains her feelings for ‘Wolf Creek 2,’ a modern Ozploitation classic about her native Australia.
‘The Night House’ and Living With Anxiety
August 5th, 2022 • Matthew St. Clair
Matthew St. Clair explain how Rebecca Hall’s performance in ‘The Night House’ helped him better understand his anxiety.
The Freudian Psychodrama of ‘Cherry Falls’
August 2nd, 2022 • Annette LePique
Annette LePique returns to Certified Forgotten with a Freudian analysis of ‘Cherry Falls,’ Brittany Murphy’s horror cult classic.