ARTICLES

Amber Midthunder Prey
Amber Midthunder Prey

‘Prey’ Is a Cinematic Rite of Passage Like No Other

August 31st, 2022 • Molly Henery

In the latest edition of her Uterus Horror column, Molly Henery celebrates Amber Midthunder’s Naru and all things ‘Prey.’

The Eyes of My Mother

How ‘The Eyes of My Mother’ Upends Trauma Horror

August 30th, 2022 • Marc Paterson

Marc Paterson explores how Nicholas Pesce’s ‘The Eyes of My Mother’ subverts the trend of trauma-informed horror movies.

Christina Ricci Cursed

Wes Craven’s ‘Cursed’ Deserves Better

August 26th, 2022 • Matt Konopka

Matt Konopka defends Wes Craven’s ‘Cursed’ as a werewolf movie with a timeless message of insecurity and self-doubt.

Tombs of the Blind Dead

‘Tombs of the Blind Dead’ Bests the Modern Zombie Movie

August 18th, 2022 • Bryant James Stark

Bryant James Stark celebrates Amando de Ossorio’s ‘Tombs of the Blind Dead,’ a zombie movie from before the tropes took over.

Wolf Creek 2 John Jarratt

‘Wolf Creek 2’ is a Meta Ozploitation Classic

August 15th, 2022 • Joanna Psaros

Joanna Psaros explains her feelings for ‘Wolf Creek 2,’ a modern Ozploitation classic about her native Australia.

Searchlight Pictures

‘The Night House’ and Living With Anxiety

August 5th, 2022 • Matthew St. Clair

Matthew St. Clair explain how Rebecca Hall’s performance in ‘The Night House’ helped him better understand his anxiety.

Brittany Murphy Cherry Falls

The Freudian Psychodrama of ‘Cherry Falls’

August 2nd, 2022 • Annette LePique

Annette LePique returns to Certified Forgotten with a Freudian analysis of ‘Cherry Falls,’ Brittany Murphy’s horror cult classic.