Molly Henery returns for another Uterus Horror column, this time on the underrated virtues of ‘Ginger Snaps 2: Unleashed.’
Uterus Horror columnist Molly Henery finds more than muppets in Jennifer Connelly’s coming-of-age classic, ‘Labyrinth.’
In this month’s Uterus Horror, Molly Henery tackles ‘Bones and All,’ Luca Guadagnino’s coming-of-age cannibalism movie.
April 11th, 2024 • Garrett Smith
Garrett Smith revisits Michael Haneke’s ‘Benny’s Video,’ a cautionary prophecy for the image-sickness of a social media age.
April 2nd, 2024 • Matt Konopka
Matt Konopka explores the parental guilt and unflinching violence of Tom Shankland’s killer kid horror movie, ‘The Children.’
March 29th, 2024 • Garrett Brown
Garrett Brown explains why ‘The Scooby-Doo Project’ remains both one of the best and the strangest entries in the ‘Scooby Doo’ universe.
March 27th, 2024 • Rob Thomas
Rob Thomas digs into the buried secrets of ‘Sanzaru,’ Xia Magnus’s haunting ghost story about a caretaker and her client.
February 27th, 2024 • Molly Henery
Molly Henery explores Jennifer Reeder’s ‘Perpetrator’ and its radical portrayal of empathy for her Uterus Horror series.
February 22nd, 2024 • Kayleigh Donaldson
Kayleigh Donaldson explores the mixed results of ‘Queen of the Damned,’ the film that tried to bring vampires into the 2000s.
February 15th, 2024 • pine breaks
In this piece, pine breaks praises the behind-the-scenes star power of Brian Yuzna’s dental slasher, ‘The Dentist.’
February 14th, 2024 • Becca Johnson
Becca Johnson explores the unique combination of body horror and cosmic terror found in Jeffrey A. Brown’s ‘The Beach House.’
February 2nd, 2024 • Molly Henery
Molly Henery sets her sights on the always-traumatizing ‘Return To Oz’ in the latest edition of her Uterus Horror series.
January 26th, 2024 • Livia Reim
Lívia Reim explores the dark and terrible isolation that drives Osgood Perkins’s ‘The Blackcoat’s Daughter.’
