Molly Henery explains why Mary Lou is horror’s patron saint of sexuality and vengeance in ‘Hello Mary Lou: Prom Night II.’
Kayleigh Donaldson explores the lurid history behind ‘Arrebato,’ the genre masterpiece from Spanish underground cinema icon Ivan Zulueta.
Even the healthiest family dynamics can sometimes be emotionally and physically draining. Society insists that one must feel obligated to their family; this is often paired with the crushing pressure that comes from within families. Familial themes are a staple of horror films because that’s where many people’s real-life horror
Molly Henery embraces femininity and witchcraft in the exceptional indie ‘Hellbender’ for her next Uterus Horror entry.
Wally Adams returns to Certified Forgotten with a passionate defense of ‘Hatchet for the Honeymoon,’ Mario Bava’s self-parodic giallo.
Ciara Moloney explains why ‘The Plumber,’ Peter Weir’s 1979 made-for-television thriller, is a sour battle of class and gender.