Film critic John Patterson explains why Marcus Koch’s ‘100 Tears’ serves as the perfect transition between eras in horror.
Film critic Eric Langberg defends the decision to move away from found footage in ‘The Last Exorcism Part 2.’
Film critic Ciara Moloney finds a lot to like in Aaron Hann and Mario Miscione’s ‘Circle,’ a sci-fi thriller with serious bite.
Film critic J.D. Gravatte explores the (not-so) supernatural twists and turns of Rafal Zielinski’s 2003 film ‘Hangman’s Curse.’
Joshua Anderson explores the links between redneck zombies and evangelical Christians in Steven Goldmann’s ‘Trailer Park of Terror.’
Film critic Wren Crain explains how Don Mancini’s ‘Seed of Chucky’ opened new doors for non-binary representation in horror.