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James Duval The Doom Generation
Editorials 0

How Gregg Araki’s ‘The Doom Generation’ Steered My Queer Identity and Filmmaking

Upon its release in 1995, Gregg Araki’s The Doom Generation was lambasted by critics. It received a D grade from Entertainment Weekly, while Roger Ebert infamously gave the film a zero-star rating. Since then, it has become a cult classic, championed for its surreal production design, iconic costumes, and killer soundtrack. The Doom Generation influenced my burgeoning queer identity when […]

James Duval Gregg Araki Nowhere
Editorials 0

The Alien Horror of Gregg Araki’s ‘Nowhere’

In 1997, Gregg Araki’s Nowhere unleashed a loud contemporary soundtrack and rowdy teenage behavior on unsuspecting video stores across the country. Its minimalistic cover didn’t tell you much about the film; in fact, one might think it just another Soderbergh-esque indie about taboo subjects. Instead, the film is a hybrid genre weirdo, a mix of Angel (1984) and Fire in […]

Editorials 0

Video Essay: The Art Of The Female Cannibal Movie

One of horror’s most taboo subgenres is cannibalism. It was a subgenre for the exploitive, often taking cultural traditions and grotesquely displaying them on screen, fueling xenophobia. But with the incredible success of The Silence Of The Lambs, cannibalism seemed to morph into something else in film.  It became less of an exploitive subgenre and more of a tool for high brow […]

The Silenced 2015
Editorials 0

Finding Strength in Illness With ‘The Silenced’

Here’s to the endless streaming menu scroll. Some nights, I choose to forgo critical consensus, or even word-of-mouth, and instead opt to enter the wild west of thumbnail images and two-sentence summaries in the “horror” category. Sometimes I stumble upon unexpected scares. More often, I find total duds. And sometimes, if I’m really lucky, I uncover something like The Silenced […]

Dark Ride Craig Singer
Editorials 0

How ‘Dark Ride’ Helped the Slasher Survive

Recent releases like Happy Death Day, The Strangers: Prey at Night, and Hell Fest have prompted the horror faithful to wonder if we’re due for another slasher resurgence. Given how resilient the subgenre has been over the years, it wouldn’t be a surprise. Long synonymous with unkillable madmen and plucky final girls—and the occasional final boy—slashers consistently take their licks […]

Sophia Lillis Emily Perkins Beverly Marsh Stephen King It
Editorials 0

The Enduring Power of Beverly Marsh in ‘It’

In a genre typically considered “for the guys,” it’s time to give a nod to the ladies. Uterus Horror is a subgenre of horror films that focuses on the uniquely female experience of puberty and the act of coming into their sexuality, using horror elements to emphasize and/or act as a metaphor for that experience. These films are often ignored in theaters, […]

The Final Girls Stage 6 Films
Editorials 0

‘The Final Girls’ Finds Acceptance in Slashers

Summer camp slashers are a staple of the horror genre. From Friday the 13th to Sleepaway Camp to The Burning, choosing this adult-free setting for your bloodbath is so ubiquitous that it’s become almost too predictable. What if you introduced elements—emotional stakes, character growth, heart—that are often sorely missing from the hack-and-slash classics of the 1980s? Well, you’d end up […]

Amityville It's About Time
Editorials 0

In Defense of the ‘Amityville Horror’ Sequels

Once upon a time there was a house at 112 Ocean Avenue, in Amityville, New York. The house looked evil—those front windows looked almost like eyes—and sure enough, evil things happened there. Horrific things, murderous things, threatened that most beloved of Western institutions: the nuclear family. People wrote books about that house, and about the demonic patriarchs of the families […]

Vengeful Heart 2014 Vietnam
Editorials 0

‘Vengeful Heart’ and the Rise of Vietnamese Horror

Whenever international horror has a backyard party, Vietnam misses out. There’s no restriction or bad blood. With sparse-to-no official home media release and tough-to-tougher hoops regarding exhibition beyond local borders, measures from my birth country to protect intellectual properties are also a guarantee for genre titles to not discover global mainstream recognition. We make it harder on ourselves. Such is […]