ARTICLES

October 31st, 2023 • Molly Henery

For a special Halloween edition of her Uterus Horror column, Molly Henery digs into the movie version of ‘Buffy the Vampire Slayer.’

October 30th, 2023 • Patricia Miranda

If there is an undisputed contender in the what-ifs of cinema history, it would have…

October 27th, 2023 • Livia Reim

Livia Reim returns to Certified Forgotten with an essay on ‘Friendly Beast,’ Gabriela Amaral’s wickedly sharp Brazilian thriller.

October 23rd, 2023 • Sarah Miles

Sarah Miles explains how ‘Savageland’ uses the faux documentary subgenre to craft a perfect political horror story for modern America.

October 17th, 2023 • Eric Langberg

Eric Langberg returns with a thoughtful breakdown of the metatextual ‘The Third Saturday in October’ duology.

October 13th, 2023 • Andrea Thompson

Andrea Thompson makes a case for Julius Avery’s ‘Overlord’ as the high-end horror comfort food we need in dark political times.

October 9th, 2023 • Celia Mattison

Celia Mattison explains why we should also be fans of Amy Seimetz’s pre-pandemic pandemic movie, ‘She Dies Tomorrow.’

October 6th, 2023 • CK Kimball

CK Kimball laments the unfulfilled potential of Joe Berlinger’s meta-media commentary ‘Book of Shadows: Blair Witch 2.’

September 27th, 2023 • Ryan Scott

Ryan Scott explains why Bryan Bertino’s ‘The Monster’ deserved much better than its direct-to-video release from A24.

September 25th, 2023 • E.L. King

E.L. King explains why David F. Sandberg’s ‘Lights Out’ is a harrowing exploration of mental illness through horror.