In ‘Ginger Snaps Back: The Beginning,’ Men Are the Real Monsters
December 28th, 2023 • Molly Henery
Molly Henery completes her ‘Ginger Snaps’ essay series with a look at the horror western prequel, ‘Ginger Snaps Back: The Beginning.’
December 28th, 2023 • Molly Henery
Molly Henery completes her ‘Ginger Snaps’ essay series with a look at the horror western prequel, ‘Ginger Snaps Back: The Beginning.’
December 20th, 2023 • Nathan Keowen
Nathan Keowen digs into ‘The Great Satan,’ an unconventional horror film from found footage collective Everything Is Terrible!
December 18th, 2023 • Elizabeth Bishop
Elizabeth Bishop revisits ‘Absentia’ and shares how Mike Flanagan’s ideas resurface in ‘Midnight Mass’ and ‘Doctor Sleep.’
December 15th, 2023 • Darcy McBrinn
Darcy McBrinn unearths the delicious subtext of Maurice Devereaux’s ‘Slashers’ and explains how the film puts reality TV in its crosshairs.
December 8th, 2023 • Erin Devany
Erin Devany returns to Certified Forgotten with an exploration of Karl Mueller’s ‘Mr. Jones,’ a twisted take on the found footage format.
November 30th, 2023 • Devaughn Taylor
DeVaughn Taylor explains why Jill Gevargzian’s ‘The Stylist’ hits especially hard for people who work in the service industry.
November 20th, 2023 • Molly Henery
Molly Henery writes about the depiction of cannibalism, trauma, and adolescence in Jim Mickle’s ‘We Are What We Are.’
November 10th, 2023 • Victoria Jaye
Victoria Jaye explains why the ‘Satan’s School for Girls’ remake endures as an important time capsule of witches in 2000s popular culture.
November 9th, 2023 • Ryan Uytdewilligen
Ryan Uytdewilligen explains the unlikely marriage of horror icon Vincent Price and Canadian kid’s show ‘The Hilarious House of Frightenstein.’
November 2nd, 2023 • Liam Griffin
Liam Griffin tackles the sun-soaked horror subversion of Jonathan Levine’s ‘All The Boys Love Mandy Lane.’