ARTICLES

December 19th, 2022 • Annette LePique

In ‘The Loved Ones,’ writer-director Sean Byrne offers a macabre take on the tolls of girlhood and adolescence.

December 15th, 2022 • Jay Norton

Jay Norton writes about ‘Creep 2,’ Mark Duplass’s horror sequel that has as much to say about the industry as it does about its predecessor.

December 3rd, 2022 • Christine Makepeace

Christine Makepeace explores the haunted connective tissue between ‘Paranormal Activity 3’ and ‘Poltergeist.’

December 2nd, 2022 • Molly Henery

Molly Henery’s latest Uterus Horror column explores ‘Eve’s Bayou,’ a new classic that finds tragedy at the heart of adolescence.

November 28th, 2022 • Ciara Moloney

David Winters combined exploitation with genre deconstruction in the Troma Entertainment feature ‘The Last Horror Film.’

November 22nd, 2022 • Adrian Manuel

Adrian Manuel connects the dots between Mark Pellington’s ‘The Mothman Prophecies’ and David Prior’s ‘The Empty Man.’

November 18th, 2022 • Xanthe Pajarillo

Xanthe Pajarillo finds a lot more than novelty in ‘Pathogen,’ the 2006 zombie film from 12-year-old filmmaker Emily Hagins.

November 16th, 2022 • Sezín Devi (Koehler)

Sezin Koehler celebrates ‘Don’t Go in the Woods,’ Vincent D’Onofrio’s biting slasher-musical about the dark allure of fame.

November 8th, 2022 • Anna McKibbin

Anna McKibbin explores the religious and linguistic significance of ‘The Feast,’ Lee Haven Jones’s Welsh-language horror film.

November 4th, 2022 • Guillermo De Querol

Guillermo De Querol finds empathy within the madness of Japanese director Shinya Tsukamoto’s cult horror classic ‘Kotoko.’