How ‘Ginger Snaps 2’ Finds Comfort In Independence
April 5th, 2023 • Molly Henery
Molly Henery returns for another Uterus Horror column, this time on the underrated virtues of ‘Ginger Snaps 2: Unleashed.’
April 5th, 2023 • Molly Henery
Molly Henery returns for another Uterus Horror column, this time on the underrated virtues of ‘Ginger Snaps 2: Unleashed.’
March 28th, 2023 • Beanie Aurora White
Beanie Aurora White explores the uncanny links between ventriloquism and unresolved trauma in Matthew Holness’s ‘Possum.’
March 22nd, 2023 • Mónica Teresa Ortiz
Mónica Teresa Ortiz joins Certified Forgotten to remember ‘Season of the Witch,’ George Romero’s second-wave feminist horror.
March 13th, 2023 • Paul Doro
Paul Doro returns to Certified Forgotten with a love letter to Olivier Abbou’s ‘Get in,’ a French home invasion film now streaming on Netflix.
March 3rd, 2023 • Wang Sum Luk
Wang Sum Luk joins Certified Forgotten to defend ‘The Exorcist III,’ the rare sequel to lean into its own franchise limitations.
February 24th, 2023 • Emmett O'Regan
Emmett O’Regan explains why the legacy of James Watkins’s ‘Eden Lake’ is hampered by its muddled approach to class politics.
February 23rd, 2023 • Danielle Cappolla
Danielle Cappolla explains why the act of choosing is essential to understanding and appreciating David Guy Levy’s ‘Would You Rather.’
February 21st, 2023 • Livia Reim
Livia Reim explores the presence of trauma in Osgood Perkins’s ethereal horror film ‘I Am the Pretty Thing That Lives in the House.’
February 15th, 2023 • Tori Potenza
Tori Potenza explains how Gary Sherman’s ‘Lisa’ bridges the 1980s and 1990s with its blend of horror, eroticism, and adolescence.
February 14th, 2023 • Matthew Monagle
Brad McHargue returns to discuss Trevor Juras’s ‘The Interior,’ a micro-budget horror film that combines A24 and ‘Office Space.’