‘1922’ Reveals the Darkest Side of Stephen King
December 30th, 2022 • Brendan Foley
Brendan Foley explains how Zak Hilditch’s ‘1922’ captures the uncharacteristic darkness in Stephen King’s original novella.
‘Low Life’ Is a Blood-Soaked Cautionary Tale
December 29th, 2022 • Akos Peterbencze
Akos Peterbencze writes about Tyler Michael James’s ‘Low Life,’ a trauma-fueled tragedy that will linger on your mind for days.
‘Bones and All’ Offers a Raw Look at Adolescence
December 27th, 2022 • Molly Henery
In this month’s Uterus Horror, Molly Henery tackles ‘Bones and All,’ Luca Guadagnino’s coming-of-age cannibalism movie.
The Queer Cockroach of ‘Mimic 2’
December 20th, 2022 • Eric Langberg
Eric Langberg returns with a queer reading of ‘Mimic 2,’ the direct-to-video sequel to Guillermo del Toro’s ‘Mimic.’
‘The Loved Ones’ Offers a Twisted Take on Girlhood
December 19th, 2022 • Annette LePique
In ‘The Loved Ones,’ writer-director Sean Byrne offers a macabre take on the tolls of girlhood and adolescence.
‘Creep 2’ Has a Lot To Say About Horror Sequels
December 15th, 2022 • Jay Norton
Jay Norton writes about ‘Creep 2,’ Mark Duplass’s horror sequel that has as much to say about the industry as it does about its predecessor.
In ‘Paranormal Activity 3,’ Family Comes First
December 3rd, 2022 • Christine Makepeace
Christine Makepeace explores the haunted connective tissue between ‘Paranormal Activity 3’ and ‘Poltergeist.’
‘Eve’s Bayou’ Finds the Tragedy in Adolescence
December 2nd, 2022 • Molly Henery
Molly Henery’s latest Uterus Horror column explores ‘Eve’s Bayou,’ a new classic that finds tragedy at the heart of adolescence.